You are a writer and an artist in your own right. But most writers don’t know much about illustrating a book. Moreover, you might have no idea where to begin looking when you try to find an artist for your piece. Here are some tips for your search.
First, consider the type of book you have written. You won’t want childish drawings for a book on an intense topic, like the Holocaust. Conversely, you are unlikely to want mature drawings for a book about bunnies going shopping. Once you’ve determined what category your book fits into, you can narrow down your search. If picture books are what you’re after, Picture Book, and Children’s Illustrators list illustrators, with samples of their work.
Spend some time perusing the web and flipping through sample books to find an artist whose style appeals to you. Make a copy of any image you like, so that you can show your chosen artist what you’re after in style and feel. It’s wise to pick a few artists whose work appeals to you, because not all candidates will take you up on your offer. When you’ve made your choices, e-mail these artists and inquire about their services.
As you work on your message to these illustrators, there are two things to consider. First of all, what is your budget? Whatever it may be, keep your limit in mind while contacting artists. You don’t want to have economic quibbles in the midst of finishing your novel. In addition, consider whether someone is an experienced artist. In the long run, it might be less stressful to work with an illustrator who knows the business rather than an inexperienced artist.
While waiting to hear back from your illustrator candidates, contact authors who have worked with these illustrators, if possible. Why? You can find out what experiences other writers have had with the illustrator, so you can better prepare to work with the artist. A little familiarity with the illustrator’s working style will remove some of your doubt and confusion and spare you surprises about how an artist works or reacts.
After you’ve gotten a response from an illustrator of choice, discuss a contract. Always set up a contract. It will clarify the obligations and rights of both artist and author. While working with the illustrator, don’t be afraid to negotiate, but still remain flexible about details.
Now that the i’s have been dotted and the t’s have been crossed in the contract, ask your artist to draw the main character. If it’s a match, great! If not, consider the viability of the artist’s interpretation. Maybe your character doesn’t look how you imagined him. In fact, the artist might have an idea about how your character should look that you hadn’t considered, but is, in fact, more suitable for your piece. Keep this attitude in mind for the whole process of working with the illustrator – from the first to the last drawing. Be open to anything and work with the illustrator. Make your collaboration a true team effort.
You don’t have to choose the first artist who agrees to work with you. Choose the illustrator who fits your project best, even if it takes a year to find the right artist. Try not to be hasty in your choice, so your book comes out as close perfect as possible.
I am trying to find out more about the legalities of hiring an illustrator. Who will own the righs to the characters? How are royalities usualy divided?
Good information. Wish I had known about this for my first book. But you live and you learn.